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Dream Monuments: Drawing in the 1960s and 1970s presents drawings that challenge the conventional idea of the monument as a permanent, grand, or commemorative form. The provisional character of drawing helped artists envision forms in improbable scales and for impossible conditions, radically transforming the monument to have a new set of sensibilities. Scaled to the size of the page but enormous in ambition, these works rethink history while rendering environments at turns as absurd, surreal, and subjective.

The show takes its inspiration from the unrealized exhibition “Dream Monuments,” planned by Dominique and John de Menil. Letters, interviews, and notes indicate the potential directions the couple considered when developing their theme. With this unfinished project as a point of departure, Dream Monuments: Drawing in the 1960s and 1970s is organized into thematic sections that trace the ways in which artists developed studies, proposals, and drawings conceived for the page alone. The exhibition marks the first time that a selection of drawings submitted for the original “Dream Monuments” project have been displayed together. The works constitute the foundation for a broader view of how artists grappled with the concept of monumentality during the 1960s and 1970s. Here, the original drawings are placed in dialogue with those by contemporaries who also sought new approaches to representing monumentality in drawn form.

Dream Monuments is co-curated by Erica DiBenedetto, guest curator, and Kelly Montana, Assistant Curator at the Menil Drawing Institute.This exhibition is generously supported by the Mathew and Ann Wolf Drawings Exhibition Fund; Dillion Kyle and Sam Lasseter; John R. Eckel, Jr. Foundation; Janet and Paul Hobby; Linda and George Kelly; Janie C. Lee; Scott and Judy Nyquist; Leslie and Shannon Sasser; Wawro-Gray Family Foundation; Marcy Taub Wessel; and the City of Houston through the Houston Arts Alliance.


Alice Aycock, Beverly Buchanan, Barbara Chase-Riboud, Mel Chin, Christo, Walter De Maria, Agnes Denes, Mary Beth Edelson, Jackie Ferrara, Gray Foy, Michael Heizer, Will Insley, Richard Long, Marta Minujín, Robert Morris, Claes Oldenburg, Dennis Oppenheim, Robert Rauschenberg, Robert Smithson, Michelle Stuart

Image: Claes Oldenburg, Proposed Colossal Monument for Park Avenue, New York – Bowling Balls, 1967. Graphite and watercolor on paper, 28 x 22 1/8 in. (71.1 x 56.2 cm). The Menil Collection, Houston © Claes Oldenburg. Photo: Paul Hester

The Menil Collection

1533 Sul Ross Street

Houston, Texas 77006, USA


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