Reduction, the hallmark of the oeuvre of the artist Maria Eichhorn (b. Bamberg, Germany, 1962), is also the defining characteristic of her exhibition at the Migros Museum für Gegenwartskunst. It is evident in the number of works selected for the show—twelve, dating...
The exhibition sheds light on a phenomenon in art that first rises to prominence in the 1990s and then explodes in the early years of the new millennium: the artistic practice of resorting to and deploying “extra bodies.” Artists select these “other...
The notion of Theft establishes a site of investigation. This exhibition examines the desire to appropriate – a fundamental theme in the production of art. Throughout art there are typologies that ensue from the appropriation of motifs or of other works of art. As...
