Lily van der Stokker (b. Den Bosch, Netherlands, 1954) has been renowned since the early 1990s for her playful wall paintings in bright colors. Floral motifs and ornamental clouds are dominant motifs in works whose aesthetic and fluorescent palette bring Pop art to mind. Meticulously executed in a time-consuming and labor-intensive process, the murals are based on small-format drawings the artist prepares with scrupulous precision. Comedy, satire, and irony are hallmarks of van der Stokker’s oeuvre. Integrated text fragments or affirmative messages such as “Friendly Good,” “Yeah,” or “Hoi” often directly address the viewer. Recurrent concerns in her art revolve around the stereotype of “femininity,” ostensible banalities, but also the economics of art and everyday life or the artist’s existence. Her playful use of color can also be read as a challenge to a conventional bourgeois conception of art for which exuberant colorfulness is incompatible with reflective gravitas.
The solo exhibition at the Migros Museum für Gegenwartskunst was curated by Dr. Raphael Gygax and provides a comprehensive insight into van der Stokker’s oeuvre to date. An accompanying publication has been released in collaboration with the Stedelijk Museum, Amsterdam, and Roma Publications.
Lily van der Stokker lives and works in Amsterdam and New York. Selected solo exhibitions: Stedelijk Museum, Amsterdam (2018), Hammer Museum, Los Angeles (2015), New Museum, New York (2013), Museum Boijmans Van Beuningen, Rotterdam (2010), Tate St. Ives (2010).
Migros Museum für Gegenwartskunst