The story of the Brandhorst Collection begins in 1972. Anette Petersen, later Brandhorst, and Udo Brandhorst had just moved to Cologne. They had met in Munich in 1965, and soon discovered their common passion: collecting art. After some sporadic early purchases of classic modernist works, they decided to focus solely on contemporary art. In this field, they both had the same favorite: the American Cy Twombly. A deep friendship developed between the couple and Twombly, which meant that the Brandhorsts were able to see many of his pieces before they even left the studio. But Twombly was only one of the main focuses of the incipient collection. Within a short period of time, the pair collected an impressive number of works from the neo-avant-garde of the 1960s and 1970s, by artists such as Georg Baselitz, Sigmar Polke, Gerhard Richter, Joseph Beuys, and Bruce Nauman. Today, these pieces perfectly complement the modern art collection of the Pinakothek der Moderne, which also belongs to the Bayerische Staatsgemäldesammlungen (Bavarian State Painting Collections). In the 1980s and 1990s the couple expanded their collecting activities, focusing especially on what is sometimes known as “critical postmodernism”: that continuation of the neo-avant-garde that concentrated on the dark, abysmal aspects of the capitalist lifestyle. Artists like Mike Kelley, Cady Noland, Jeff Koons, Katharina Fritsch, Robert Gober, and Damian Hirst were added to the collection during this period. With Andy Warhol, another major focal point was created. Today the 120 pieces in the Brandhorst Collection form the most significant selection of Warhol’s works outside the USA. The Udo and Anette Brandhorst Foundation was created in 1993, and in 1999 a cooperation agreement was signed between the foundation and the Free State of Bavaria – the basis of the museum that would open ten years later, with the task of preserving the collection, conducting research, and presenting it to the public. In the meantime, the foundation’s collecting activities have continued. In the last ten years, the collection has grown from around 700 works to more than 1,200. Most recently, works by artists such as Amy Sillman, Jutta Koether, Wolfgang Tillmans and Arthur Jafa were added. This has resulted in a corpus that demonstrates clear lines of development from the mid-20th century to the present day.
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