Wolfgang Tillmans, ‘Paper drop’ (Reversed) II, 2011

This year’s big summer exhibition is devoted to the artist Wolfgang Tillmans (1968). It is the first comprehensive engagement with the medium of photography at the Fondation Beyeler, which some time ago added a wonderful group of works by Tillmans to its collection. Around 200 photographic works dating from 1989 to 2017 will be on show from May 28 to October 1, together with a new audiovisual installation.

Tillmans first made a name for himself in the early 1990s through photographs that have attained iconic status for their evocation of the mood of an entire generation, with its carefree urge for freedom and its desire to seize life’s moments. Soon, however, he widened his focus, experimenting with the means of photography to develop a new visual language. He created his images with and without a camera and also using a photocopier. In addition to traditional genres such as portrait, still life and landscape, the exhibition presents abstract works that play with the limits of the visible. It will show how Tillman’s work is concerned with the creation of images rather than with photography in the conventional sense. The exhibition is being designed in close cooperation with the artist.

Tillmans was born in 1968 in Remscheid, Germany. At 20 he lived in Hamburg, where he began his work as an artist. He studied at the College of Art and Design in Bournemouth in the early 90s. Between 1992 and 2007, he lived and worked predominantly in London; afterward, he shifted his focus to Berlin.

 

Baselstrasse 101
CH-4125 Riehen/Basel  | Switzerland

 

http://fondationbeyeler.ch

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