Originally trained as an architect, Barry Le Va began creating horizontally dispersed sculptures while he was a student at Otis College of Art and Design in Los Angeles. Though seemingly random—and emblematic of chance-based operations—these radical works are rigorously planned and arranged for each site-dependent installation.
This survey of Le Va’s floor-based installations from the 1960s will include two of his rarely seen powder dispersals, which will be reconfigured for a site-dependent space at Dia:Beacon. These installations are based on Omitted Section of a Section Omitted (1968–69), which was first presented at the Whitney Museum of American Art’s Anti-Illusion: Procedures/Materials exhibition in 1969, and Le Va’s series of Brown Line chalk sculptures (also from 1969). Le Va’s dispersals push the notion of sculpture to its formal limits and challenge the stark, industrially fabricated forms of Minimalism. The presentation will also include several of Le Va’s signature floor works that utilize felt, ball bearings, and broken glass. In an adjoining gallery, the artist will conceive an installation from his Cleaver series.
Dia Art Foundation
3 Beekman Street
Beacon, New York 12508